#BackwordsLiterature

BACKWORDS blog explores the intersection between presence and history. The blog is a platform that honors the moment of encounter that any one person experiences—with art, literature, music, performance, or place. Often, reflections fit multiple categories—the opposite of a news program or style blog, BACKWORDS is not preoccupied with immediacy. An event does not need to be current to be relevant, nor does a memory need to be close to its origins to hold its potency.

Featured Posts

2020 and The One Where We All Try to Stay Sane

Tunnel Vision: Preparing to Hike the Pacific Crest Trail

Giverny, This Way

Happy Holidays!

My First Foray Into The Wonderful Wallowas

Spice and Rain

Traveling with Less

Antibiotics and Balinese Dance, A Winning Combination

Let's Confuse Each Other In German: How I Turned 30 in Paris

The Song of Achilles: A Review & Four Fragments

It’s a hero’s task—in so subjective an art as literary adaption—to accomplish the significant act of honoring a work of written art while making it new again. Concerns of plagiarism or form aside, works that get adapted are typically important: their significant following, their cultural pull, places a kind of premium on the position they occupy which tugs at the reverent, the scholarly, even the audacious among us. The criticism and acclaim around Madeline Miller’s first nov

Tea With Milk

A few weeks ago, I returned from a quick 5-day trip to Tokyo. It was early April. The cherry blossoms were just beginning to bloom and this was my first time in the country for more than a couple days. It was a trip of sunshine and strong, brisk spring winds. Amidst the crowded streets and alleyways of Shinjuku and Shibuya, I began to feel an unsettling feeling—a mix of calm comfort at odds with a glint of guilt. As a Yonsei (fourth-generation Japanese-American), this trip br

The Obscure and Subtle Tragedies of Jim Shepard

It must have been about 9 years ago that I first read Jim Shepard. I encountered him at a reading at Marylhurst University, where I was finishing up my undergraduate degree in Writing. And while 9 years is a long time, reflecting back it feels so much longer – like an entirely different life, when I was a completely different person. I went with my good friend (and Backwords co-founder), Jenny Chu, and we must have been a few minutes late because we ended up in the front row

Social Justice on the Macro, Empathy on the Micro

Right now, in this world, in this country, this state, in small liberal-minded Portland, OR–I’ve been thinking a lot. Reading. Meeting people. Listening. I’m in a gathering period. My fingernails, untended, are too long. I feel slow. I’ve turned off all my social media notifications. The fuzziness, I have faith, will give way to focus. Everything feels necessary, and time is always running out. I’m trying to synthesize everything, but I don’t want to write about it, because l

I Said Sex, Not Sexy

At the beginning of 2012 I bundled up my life as I knew it – my home, my job, my marriage – and ditched it by the curb. I didn’t have a car so my mom drove me away from Portland where up until then I’d lived my whole life, and dropped me off 6 hours later in Moscow, Idaho to stay with a friend and mentor. I needed an escape, I needed space to think, to sort some things out before I could return and pick up the pieces I’d left behind. The University of Idaho in Moscow has an M

What Gets Trumped?

Where do I start? Do I start on Wednesday November 9, 2016 at 4:27 a.m. when I woke up to the confirmation that Donald Trump would be the next President of the United States? Do I start somewhere in the middle of my sleep-deprivation, moving through the waking nightmare that Americans elected a glorified reality TV star; a liar and a bully; who repeatedly denigrated immigrants, people of color, and assaulted women; who ran on a platform of massive deportations, on surveillanc

Charles Henri Ford: Association and America's First (Queer) Surrealist Artist

In 1986, BOMB Magazine’s Bruce Wolmer interviewed the first American surrealist poet and artist, Charles Henri Ford. Ford—not content with keeping only to poetry or art-making, but also an editor, novelist, filmmaker, and photographer—chronicled his life for Wolmer, claiming nevertheless (like one of his primary influences, Jean Cocteau) that poetry was a kind of “everything,” an ecstatic lens that was for Ford the central conception of a surrealist mission. This is one kind

Fall 2016 Issue: An Interview with Poet, Janice Worthen

This October, on the 1st of the month, the BACKWORDS Press team has the distinct pleasure of sharing the work of our Fall 2016 poets: Bianca Flores, Stephanie Adams-Santos, and Janice Worthen. We're collaborating with a new graphic designer for the issue—we'll introduce you to him later on—because right now we'd like to acquaint you with our new writers. Like we've done with past issues, our Fall 2016 Issue writers have helped us to gear up for the October release with a seri